Coma is a visually striking Russian science fiction thriller directed by Nikita Argunov, exploring the concept of a dystopian dreamscape where the boundaries between life and death are blurred. The film takes place in a surreal, twisted reality that exists inside the subconscious minds of those who have slipped into a coma. With its dreamlike visuals and mind-bending narrative, Coma challenges the very concept of reality, presenting a world where the laws of physics no longer apply and the mind’s deepest fears and desires come to life.

The story centers on Viktor (played by Rinal Mukhametov), a young architect who wakes up after a near-fatal accident to find himself trapped in a bizarre and shifting world that is a manifestation of his own subconscious. This alternate reality, where distorted versions of buildings, creatures, and objects constantly change shape, is created by the minds of people in comas—each individual contributing to a grand, interconnected mental landscape.

Viktor soon discovers that he is not alone. Other individuals trapped in this dream world, including Angela (played by Lyubov Aksyonova), join him on a journey to find a way out.

But the deeper they venture into the maze-like landscape, the more they realize that the world they inhabit is a trap, created by their own minds as a defense mechanism against death. To escape, they must confront their inner fears and face the dark secrets hidden within themselves.

The film plays heavily on themes of consciousness, memory, and the fragility of life, while blending action and psychological drama. The visual effects are dazzling, creating a highly immersive, otherworldly atmosphere that keeps the audience on edge. The world of Coma feels like a waking dream—disturbing, surreal, and fascinating—where the characters must fight for survival, not just against external threats, but against their own minds as well.

Coma is a cerebral thriller that will leave viewers questioning the nature of reality, consciousness, and what happens when the mind is pushed to its limits.